Chris Booth- Sculptor

Rainbow Warrior Memorial, by Chris Booth, Photo from here.

Rainbow Warrior Memorial, 1988-1990, by Chris Booth.
The Rainbow Warrior propellor is in the centre of the sculpture, surrounded by an arch of large basalt boulders recovered from a local beach.
Photo from here.

I keep finding new and inspiring artists, and Chris Booth is no exception. Have a read on his website and a look at his sculptures, and you will soon see it for yourself! The text below was taken from part of what he has written on his website.

“Chris Booth’s empathy for people, his ability to relate to their culture, and his underlying respect for the environment have enabled him to create memorable works that sit respectfully in the landscape’.
‘…… which wait patiently, quietly expecting due reverence from the observer’.

Ken Scarlett OAM, World Sculpture News, 2000.

Chris Booth gives a bit of an explaination to what is behind some of his work:

Once a site is identified and approved for a specific land art work I look closely at, for example, the origins of the land, itʼs flora and fauna, the spirit of the land, the social history and land use from ancient times to the present day. Also, my materials are researched and sourced locally. To me this is holism. By way of explaining this further, sometimes in the past I chose to ʻpoint fingersʼ in my work such as showing my opposition to the testing of nuclear devices in the Pacific Ocean, the destruction of indigenous forests in Northland, NZ or the exposing of injustices such as racism. At first these works had the desired effect of alerting others to the problem or adding to the voice of objectors. But, as I became more known, my work became more ʻcollectableʼ and, instead of achieving my original objective, these works became collectable commodities with a monetary value for investment! In 1986 I made a major shift back to holism (my first explorations into holism were carried out in the early 70ʼs using scale models and drawings). Gateway 1986-1990 and the Rainbow Warrior Memorial 1988-1990 were the first major public art works of mine to use this holistic approach. – Chris Booth (All sourced from www.chrisbooth.co.nz)

Lester Hall- Tiki Mouse

The Little River Gallery artist profile says this about New Zealand print maker:

“From the popular Kiwiana beauty of “Wahine” to the dour victorian morbidity of “Boogieman” Ngati Pakeha Inks have been “a wonderful journey into what it might mean to be Pakeha” says Lester Hall. Describing himself a long time outsider artist who also positions himself as a social commentator on the evolving identity of Aotearoa.  Lester uses his Ngati Pakeha prints to invite all New Zealanders to come with him into this discussion.”

Lester Hall, Northland based artist tests cultural climate with his latest work Tiki Mouse by blatantly merging Mickey Mouse with one of New Zealand’s most touted cultural icon – Heitiki. Hall’s 2004 Ngati Pakeha series of 23 Tiki, launched a cross pollination Buzzy Bee and Tiki to create Halls kiwiana classic Buzzy Bee Tiki.

Print maker Lester Hall is one of New Zealand’s most exciting contemporary visual artists. Hall’s work is visually striking, intelligent, and strongly political. Maori commentator, Willie Jackson states, “he is a cultural intellectual for NZ”. Hall has a clear message that radiates strongly from his Ngati Pakeha Inks series. (read more and see picture of the image here)

You can read another interesting story about one of his pieces here- Toi moko art print upsets